Thursday, March 7, 2019
Gillian Clarke Essay
Before even recital Miracle on St Davids Day, I knew that nearlything very special was issue to happen from the battle cry in the title Miracle. Clarkes use of this word suggests that an amazing issue is deprivation to occur and that the verse is at that placefore going to be emotional and touching. Gillian Clarke uses the root compose of the verse form to create a pastoral idyll due to the use of personification-An afternoon yellow and sp involve mouthed with daffodils. This conjures a happy and warm scope of daffodils with their trumpets open wide, laugh in the sunshinelight, and it successfully personifies the flowers.Clarke also places people in the description to defy it seem even more vivid in our minds-the rumps of gardeners between greenhouse shrubs. The line, country house, guests strolling pulls together a vivid image of a elegant, inauguration scene in the readers mind. Clarke also introduces the importance of personality right at the beginning of the poe m in this rootage verse. latissimus dorsi the start of the second verse, Clarke dramatically dispels the pastoral idyllic that she created in the starting signal verse. I am reading poetry to the insane is a frank line, completely in contrast to the last verse as it is so insensitive.As readers, we instantly slang the harsh reality of the situation that she is in fact in a mental institution. Clarkes dispelling of the original image is effective because it catches the readers at decenniumtion immediately as it is a completely unexpected twist. It also makes the poem poignant because it makes the readers realise that there is never a perfect place and that there is al way of lifes suffering around. Clarke goes on in this verse to describe some of the patients around her and the length of their mental disorders-An old woman interrupting offers as some(prenominal) buckets of coal as I need. Clarke describes the poignant image of a schizophrenic, beautiful boy absorbed in her poet ry making us realise that her poetry may be powerful for these people.After verse two, Clarke introduces verse three by stating on a good day, they tell me later(prenominal) to show how the split between a verse is a desire the dramatic split personality of a schizophrenic. In verse three, Clarke goes into more detail well-nigh her moving surroundings to build up a vivid idea of the situation in the readers mind. She describes ow the sun causes shadows of window bars into the room and how a woman is sitting in these shadows as if she is in a cage. In a cage of first March sun a woman sits. Clarke repeats the word non, not pick uping, not seeing, not feeling to result in the woman appearing to be trapped inside herself and entirely va cannistert. Finally in this verse, Clarke writes, a vast, big minor, man is t curiosityerly led to his chair. The use of the adverb tenderly makes us understand just how much c atomic number 18 and attention these people need.Clarke continues wit h the poems tone of compassion in verse four, by the unwilling reading caused by several instances of pauses in the line due to commas much(prenominal) as hands on his knees, he rocks . I read to the big, dumb, labour man as he rocks also brings about the sad moxie that although this man seems self-sufficient and big on the exterior he is mild and insecure on the inside and in the mind. Finally Clarke uses an oxymoron, I read to their presences, absences to show how although they argon physically in the room, some of their minds arent genuinely there at all.In verse five, Clarkes writing makes everything absolutely change. The slow and thoughtful pace of the poem ends dramatically in a similar way that Clarke destroyed the pastoral idyllic after the first verse. Gillian Clarkes use of alliteration also strongly suggests that something special is about to happen, He is suddenly standing silently, huge and mild but I feel afraid. Clarke then cleverly uses two similes to portra y the moment in the lead the man speaks, Like slow movement of spring water or the first bird of the year in the breaking darkness.These similes are closely linked to new life spring which is convenient because the poem is set on the first day of spring. We also grasp from Clarkes use of similes that the man is going to do something new. This is a significant and poignant moment in the poem because the man is so well-built and huge to that extent what he is about to do is something rattling big and special for everybody in the room and the reader, the labourers voice recites The Daffodils The reaction to this mans linguistic communication is shock and no one is able to speak. The nurses are silent and prepared for violence from the man but even they freeze.The patients, some of which are seriously mentally ill also suddenly listen, the patients seem to listen. It is effective and poignant, how Gillian Clarke then personifies the daffodils to match the characters and mood of the room. She expresses that even nature distant can react at this incredible moment. The hyperbole that she uses, a thousand, ten thousand is an excerpt from the Wordsworth poem that the man is reciting. Clarke successfully employs this hyperbole to expand the number of daffodils who stop to observe to the man breaking free of speech and his life.I think that the seventh stanza is the most heart-breaking stanza, especially Since the dumbness of bereavement fell because that implies that the man was once a happy child and alone stopped talking and became miserable when something tore his life apart. This is poignant because it makes us imagine tragic events that could have stopped this man from speaking and that it really shows the power and impact that poetry can have. I think the daffodils are singe is a very effective and clever way of Clarke to close the poem because it is ending with the daffodils where it first started.The way that nature outside corresponds to the event in the room is truly miraculous. In verse six Clarke personifies the daffodils as still as wax whilst the man is reciting and the daffodils are then flame in the last verse during the mans applaud (we can see a fiery theme). The poem is so poignant because of the way Clarke creates successful images and personification so that we can feel we are in the room at the time of the miracle. The pathetic fallacy at the end leaves readers reflective and astounded by the description in poetry of such an amazing account.