Dantes Inferno :: essays research papers

The Divine Comedy was a key ingredient to the development of European literature. By writing the epic style meter in the vernacular, he enabled all peck of general literacy (ie, the commoner) with the liberty to aver his work of art. This was such a landmark event because scholars of the past had unendingly written in Latin including two of the most influential people in his life, the epic poets Virgil and Homer. Latin was the language of the Roman Empire and the Catholic Church therefore no one ever thought Dantes use of the vernacular was capable of such poetic expression. From a classical literal perspective, The Divine Comedy can then be viewed as a pioneer in the defiance of Catholicism.Through the mere act The Divine Comedy, one can further unearth many an(prenominal) significant aspects of the poem. A true drollery refers to two classical modes of composition. The cataclysm was the first of these styles where the plat flowed from a high andpleasant beginning to an highly low and destructive conclusion. The second technique is a classic comedy where the plot elevates from depressing beginning to an elevated and triumphant ending. In canto 1 it describes the 1st part of the journey vividly crossing the mtn. He keeps dropping and cant quite make it. When the book ends Dante has surpassed a great lead and had learned a lot from his journey.Dantes work is not only dependent on either of the two styles rather it incorporates aspects of both approaches. Theplot of The Inferno mirrors a classic comedy for it progresses from the horrors of Hell to the joys of Heaven, nevertheless it is incessantly presenting the reader with individual situations of tragedy. EX-alive b4 jesus(virgil,limbo),suicidesthose who are good, gays.The Divine Comedy is a actually universal work for it deals with the most significant question of humanity, the existence of an future and the consequences of our lives on Earth. His convo w Virgil, Dante asks why we are here. thi s Dante was so confident in his abilities as a poet that he attempted to answer such questions with the voice of the vernacular.