Pride and Prejudice Essay: The Faults of Pride and Prejudice

The Faults of plume and hurt If we investigate the themes, characters and setting of Jane Austens ostentation and Prejudice in an effort to find faults of logic, we must first recognize that the correct work is a fault of logic because Austens world is a microcosm of wiz level of society, a level wherein everything and everyone turns out kindly, whether they be heroes or villains, large or poor, or proud or prejudice. This is because unlike conventional romanticist novels, like Wuthering Heights, there is no deeply passionate love displayed in this novel, no horrific consequences of being left without an annual inheritance, and even the so-called villains of the piece, like Wickham, are sprinkled with enough of the milk of human kindness as to to the highest degree make them preferable over some of the non-villains in the work. Psychologically, this figure of mixed-trait character portrayal is realistic of reality because human development occurs as a continual process, on e filled with both flaws and successes of character behavior. Richard Simpson (289) explicates this full stop further in his essay, The Critical Faculty of Jane Austen Wickham, the modified villain of hook and Prejudice, has so much charm about him that his sensible and epicurean father-in-law is almost disposed to like him better than his other and more honorable sons. dominate Austen has a most Platonic inclination to explain all knavishness into folly. injustice in her characters is neither unmixed with faithfulness, nor is it merely a defect of willing she prefers to exhibit it as a weakness of intelligence, an inability of the commonsense to tackle the passions which it neither comprehends nor commands. It is her philosophy to see not only the soul of goodness in ... ...rratic behavior in other romantic tales of love, but it is kind of illogical to argue through characterization that classifiable human beings trade a love for one another without being prone to any of the hyper-emotions and erratic behaviors love often manifests in real human beings. Therefore, Austens Pride and Prejudice appears to exhibit some pride and prejudice of its own, particular the point that Austen seems to suggest people in her social circle are in some manner better or more rational at least than typical human beings. Works Cited Austen, J. Pride and Prejudice. New York, Oxford University Press, 1990. Oliphant, M. Miss Austen. In Pride and Prejudice, New York, Oxford University Press, 1990 285-287. Simpson, R. The Critical Faculty of Jane Austen. In Pride and Prejudice, New York, Oxford University Press, 1990 287-290.